It can be said to be an anti-Spanish movement, which was started due to political and religious torment done by the Spanish on the people. They didnt bring women and families with them, so thats where the mixing started. Black LegendEssay Preview: Black LegendReport this essayThe black legend was the name given to the concept of cruelty and brutality spread by the Spanish during the 14th and 15th century. Upon discovering that they found a different place, it became a matter of conquest by soldiers, explorers, and other kinds of adventurers. Herrera-Sobek, Maria, Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, Volume 1 (ABC-CLIO, 2012). When the Spanish arrived, they were originally looking for trading partners in East Asia. Guzman, Maria, Spain’s Long Shadow: The Black Legend, Off-whiteness, and Anglo-American Empire (University of Minnesota Press, 2005). Floyd, The Columbus Dynasty (1973) The issue of Spanish cruelty to the Indian seems to have acquired even more distortion in recent years than it commonly carried, having become entangled with racism, modern ideas of liberty, and other notions inappropriate to the historical context. Violence, cruelty, and malice are at the heart of Black Legend imagery, which was effectively used as anti-Spanish propaganda well into the 18th century. In spite of the historic achievements of the Spaniards, many histories of Spain, especially those written in English. The Spaniard became a symbol of intolerance, tyranny, bloodthirstiness. The Black Legend of the Spanish Inquisition is the existence of a series of myths and inventions about the Spanish Inquisition, used as propaganda against the Spanish Empire, in a time of strong military, commercial and political rivalry between European powers, from the 16th century onwards. By depicting the Spanish as particularly cruel, especially by citing the violence inherent in the Spanish Inquisitions, other European powers could uphold themselves as morally superior and humane while shaming “barbaric” Spaniards. By fueling the Black Legend, European powers demonized the Spanish in both New Spain and on the European continent to advance their own political and economic agendas. These accounts added to the already present prejudices held by the English and Dutch toward the Spanish, and Protestant dissent from the Catholic Church helped solidify the Black Legend. Accounts like A Brief Account of the Devastation of the Indies, written by Las Casas in 1542, gave Europeans an idea of the brutality and violence that was inherent in the Spanish colonial system (Herrera-Sobek 117). The inquisition, the Philip IIs vices, universal domination, and Spanish innate cruelty all took on greater significance than in earlier Black Legend stories. Many Black Legend representations of the Spanish were based on accounts like those of Bartolome de Las Casas, a Spanish priest who denounced the Spanish treatment of the natives, seeing it as inhumane and against his religious beliefs. In the later visual panels, it innovates on the Black Legend with Spanish conduct against the Dutch for inspiration. By the late sixteenth century, Christian Europe, both Catholic and Protestant, had already formed the image of Spain which has become known as the Black Legend. English, Dutch, and German writers and artists used Black Legend propaganda to demonize the Spanish, depicting them as brutal and cruel in their treatment of indigenous people in the colonies. This essay uncovers the broader racial contours of the Black Legend through an approach centered on critical race studies and intellectual history.The “Black Legend” ( la leyenda negra in Spanish) was a term coined in 1914 by Julian Juderias to describe the anti-Spanish sentiment that emerged from Spanish colonialism in the 16th century. For its part, this English polemic fastened Spain's pedigree to a sinister version of Magog described in Ezekiel and Revelation to explain Spanish cruelty and to qualify English claims to Spanish possessions. ![]() ![]() For Spaniards, these figures represented a pure, original Spanish or Gothic ancestry variously used to underwrite the reconquista of the Iberian Peninsula, assert blood purity against anxieties of Jewish and Moorish miscegenation, and justify Spain's claim to colonial dominance in the sixteenth century. ![]() ![]() Medieval and early modern Spanish chronicles created a positive pedigree from the figures of Tubal and Magog from the Noachic Table of Nations in Genesis. This essay shows how a late sixteenth-century English polemic racialized Spaniards not only in terms of their perceived tincture of Moorish and Jewish blood but also in terms of their partly European Gothic otherness.
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